Friday, May 23, 2008

Check out the comics excerpts at New York Magazine


New York Magazine has a generous archive of comics excerpts. Below is the text from the latest post introducing Hope Larson's new book.

The onset of summer means one thing for Abby: summer camp outside Asheville, North Carolina. It's the same camp she's always gone to, but this year her bunkmate is Shasta — who's fun, who's funny, and who harbors some secrets that will make the summer a difficult one. Today on the Comics Page, we're proud to present an excerpt from Chiggers, a new all-ages graphic novel by cartoonist Hope Larson. A beautifully written tale of adolescent friendship and its complications, Chiggers is out in June from Simon & Schuster.

Click here to see what the archive has to offer.

Monday, May 19, 2008

"The Cask of Amontillado" on YouTube


My second post for this blog focused on another blog that was sharing scans of a 1966 comics adaptation of Edgar Allan Poe's short story, "The Cask of Amontillado." Click here to read that post.

For this post, I want to highlight some related videos I found on YouTube. The first, above, is a cartoon by "AceGallagher" that uses the 1976 Alan Parsons Project song, "The Cask of Amontillado," as its soundtrack. Below you'll find barely watchable footage of Vincent Price reading/reciting the story.

Part 1


Part 2

Sunday, May 11, 2008

Should comics be used as a reading tool?


A recent article in Junior Scholastic focused on the pros and cons of comics in the classroom.

In 2001, Teachers College at Columbia University founded the Comic Book Project. The program, which encourages students to create and read comics, has since been expanded to 860 schools nationwide. Dr. Michael Bitz, the project's director, says that students' use of comics enables them to develop their reading skills "in a fun, interactive, and colorful environment."

According to the National Center on Education Statistics, the reading scores of middle- and highschool students in the U.S. have declined slightly over the past decade. Can studying old Disney cartoons and The Adventures of Asterix help kids improve their reading skills? Some parents worry that comics and "dumbed-down" texts may actually be fueling the decline in literacy.

Educators who favor using comics to boost kids' skills and interest in reading argue that pages filled with words often scare students. Illustrations and manageable blocks of text may help them identify story elements, such as structure and tone. Bitz says that this creative approach heightens students' excitement about the learning process.

What Do You Think?

Should comics be used as a reading tool?

YES

Jim Borgman, who illustrates the Zits comic strip, says, "Students are more tuned in to pictures than words, and comics can help them find their way into reading. It's a great doorway and a friendly invitation into the world of reading."

Neil Hook, a seventh-grader at Saint Agnes School in Clark, New Jersey, tells JS that comics centered around events and "debates going on today, like the [presidential] campaign" could help engage kids in the world around them. "Students should really understand what kind of political things are going on," he adds.

Caleb Wray, a seventh-grader at Humboldt Junior High School in Tennessee, says, "[Comics] should be used in schools because kids can't comprehend some paragraphs [in textbooks]. Comics can help get the point of the lesson across to the student."

NO

Sharan Gwynn, a sixth-grade teacher at Georgetown Middle School in Kentucky, tells JS that a comics-based curriculum "encourages too much reliance on visual items [and not enough on] the written word. Using comics would not teach students the real-life reading skills necessary for textbooks used in college, or guides used for installing programs on the computer."

R.B. Downey is a ninth-grader at Satellite High School in Indian Harbour Beach, Florida. He says that comics can't take the place of textbooks. "Books help students with writing essays and in the preparation for state writing exams and college," he tells JS.

Makayla Reuppel, a fifth-grader at Wright Elementary School in Des Moines, Iowa, says, "Students should have more of a challenge than a comic book. With comic books, all you do is look at [illustrations], but in books you get [a lot of] information."

Click here to read another article from Junior Scholastic about comic books.

17 free and downloadable graphic novels


Daily Bits has a post featuring links to 17 free and downloadable graphic novels. Here's the introduction:

The web is home to a treasure-trove of free culture. Thousands of artists, writers, film-makers, poets and illustrators craft impressive creative works and share them freely online, in the interests of making their work accessible to as many people as possible. We thank them for that.

In this post, I want to highlight a booming segment of the online free culture movement: graphic novels.

Each link will take you to a page where you can download or view a high quality graphic novel or excerpt freely and with no strings attached.

There are plenty more to be found, but these seventeen are some of the best you’ll find.

Click here to see the entire post.

Click here to check issue #1 of the Vertigo series, Fables. That's a Fables panel above.

Michigan State University has a copy of a book I helped write


I found an entry for a book I contributed to at the Michigan State University Libraries, Special Collections Division site.

Here is the entry:


Building Literacy Connections with Graphic Novels : Page by Page, Panel by Panel / edited by James Bucky Carter. --

Urbana, Ill. : National Council of Teachers of English, 2007. --

164 p. : ill. ; 26 cm. --

Includes bibliographical references (p. 157-160). --

Contents: Introduction: carving a niche : graphic novels in the English language arts classroom / James Bucky Carter ; Altering English : re-examining the whole class novel and making room for graphic novels and more / Douglas Fisher and Nancy Frey ; Showing and telling history through family stories in Persepolis and young adult literature / Marla Harris ; Are there any Hester Prynnes in our world today? pairing The amazing "true" story of a teenage single mom with The scarlet letter / James Bucky Carter ; Visualizing Beowulf : old English gets graphic / J. D. Schraffenberger ; L. Frank Baum, Lewis Carroll, James Barrie, and Pop gun war : teaching Farel Dalrymple's graphic novel in the context of classics / Randall Clark ; Abandon every fear, ye that enter : the X-men journey through Dante's Inferno / Don Leibold ; A multimodal approach to addressing antisemitism : Charles Dickens's Oliver Twist and Will Eisner's Fagin the Jew / Allen Webb and Brandon Guisgand ; Using graphic novels, anime, and the Internet in an urban high school / Nancy Frey and Douglas Fisher ; Ultimate Spider-man and student-generated classics : using graphic novels and comics to produce authentic voice and detailed, authentic texts / James Bucky Carter ; Appendix: additional graphic novels for your English language arts classroom. --

Call no.: LB1631.B773 2007

Carter, James Bucky, 1977-

Tuesday, May 6, 2008

Santa Fe museum celebrates the comic book


Santa Fe's Museum of Indian Arts & Culture is hosting an exhibit titled, "Comic Art Indigène," from May 11 through January 9 of next year. Here is an excerpt from a rationale found on the museum's site:

As an art form, comics are poorly understood, underanalyzed, and under-utilized. Created to be disposable yet widely read, comics are often dismissed as primitive and juvenile. Nevertheless, a generation of Native artists has embraced comics as an expressive medium. It is only natural that this marginal art appeals to oftmarginalized indigenous people, for both have been regarded as a primitive and malignant presence on the American landscape.

Like American Indian cultures, comic art is amazingly complex and adaptive. As the first widely-accessible mass media, comics were consumed by Indian people as a recognizable form of storytelling; expressing cultural stories through pictures.

Click here to learn more about the exhibit.

Librarians like comic books


I just got my weekly Publishers Weekly comic news email today and it points to a piece on the Publishers Weekly site titled, "Talking Comics with Librarians." Here is the first paragraph:

When I was a kid, my family didn't own a lot of books, but I still read widely and voraciously, thanks to my local library. I don't remember seeing comics there then, but these days, if kids aren't doing their manga reading for free in the aisles of Borders, they're doing so at the library. Librarians have been on the forefront of actively supporting graphic novels, especially for young adult readers, and they wield a great deal of influence by choosing which books will be on library shelves and encouraging reading—more and more often with graphic novels.

Click here to read the article.

Monday, May 5, 2008

Research summary #1: Insights from Archie comic readers


It begins! Below is a research summary (the first of many needed for my master's program action research project) I need to submit to my current instructor tomorrow.

Norton (2003) wants to better understand the nature of students’ engagement with Archie comic books and the extent to which this engagement can be better understood with reference to larger sociocultural practices both inside and outside schools. Her broad research question is, “Do insights from Archie readers have significance for literacy educators?” This question leads to the exploration of three subtopics: the reasons why children read Archie comic books, how readers of Archie comic books relate to one another, and, how the reading of Archie comic books contrasts with academic reading.

Norton locates her work in a theoretical framework informed by Haugaard, Meek, Kress, Dyson, Davies, and Norton Pierce and Stein. Haugaard believes comic books to have a “fantastic motivating power” and urges educators to discover the reasons for this power. Similarly, Meek believes that comic books are more than mere “trash.” Kress sees visual modalities as more efficient than verbal ones in transporting information. Working from this idea, Norton suggests that comic books are innovative because they transport information via multiple modes. Inspired by Dyson, Norton is conscious of the reciprocal relationship between an artifact, like a comic book, and its social context, like a community of Archie comic book enthusiasts. Davies explores the “life worlds” of children. Inspired by this notion, Norton believes that the best way to understand the daily life of a young Archie comic book reader is to ask him or her. Norton Peirce and Stein posit that the reading of a text in a hierarchical institution, like a school, influences how someone functioning low in the hierarchy, like a student, reads that text.

Norton did her research from 1998 to 1999 at an elementary school in the Vancouver metropolitan area in British Columbia, Canada. 19 girls and 15 boys, aged 9-12, participated in the study. Three grades were represented: fifth, sixth, and seventh. Also, 13 of the 34 participants were English language learners. In this group of 13, six were boys and seven were girl. Six home languages were represented by this group of 13.

Norton collected data with questionnaires and interviews. Interviews were conducted by Norton and a research assistant. She also included an Archie story for students to analyze. She learned through pilot studies that children like to refer to the comic books when answering questions during interviews.

An important outcome for Norton was the realization that adults, including Norton, need to confront their own fears and reservations about comic books. She also noticed that when a student has ownership of a text, he or she is more likely construct meaning, hypothesize, and make predictions while reading. Norton also observed that the pictures in comic books facilitate learning and meaning making, particularly for English-language learners. Further, Norton found that readers of Archie comic books constitute a distinct reading community that promotes friendship and rich, text-based talk.

Norton offers many implications for further research. Feeling ownership over a text boosts a young reader’s confidence as he or she interacts with that text in a critical manner. Consequently, literacy educators need to avoid dismissing texts that they perceive as “trash” and, instead, take time to understand the appeal of such texts. With an eye toward the growing literacy demands of the 21st century, Norton makes a plea for further research. She encourages educators and researchers to explore how comic book can aid, not hinder, the literacy development of young people.

In my research, I want to explore how information that is transmitted via the visual mode can enhance information delivered through verbal and linguistic modes. Looking closely at how young readers interact with comic books is a way to explore this phenomenon. Also, I am interested in seeing how comic books can be used in the classroom to promote critical thinking about other kinds of texts, such as canonical literature, film, television shows, and video games.

Norton, B. (2003, January 1). The motivating power of comic books: Insights from Archie comic readers. Reading Teacher, 57(2), 140. (ERIC Document Reproduction Service No. EJ676033) Retrieved May 3, 2008, from the ERIC database.

Sunday, May 4, 2008

El Escarabajo Azul hits newsstands


This month's issue of the comic book, Blue Beetle (like a cross between Batman and Spider-Man), tells its story almost entirely in Spanish. The hero's alter ego is Jaime Reyes. As Blue Beetle, Reyes protects El Paso, Texas, and neighboring Juarez, Mexico. Here are the first several paragraphs of a Houston Chronicle article about the comic book.

Say hola to the Blue Beetle.

This month's issue of DC Comics' Blue Beetle, due in comic-book shops Wednesday, will be almost entirely in Spanish.

Why? "It's a gimmick," writer Jai Nitz says — not, he adds, that there's anything wrong with that.

The purpose, he says, is to bring some attention to a great title that deserves more readers. At the same time, it serves the story, which finds Hispanic teenager Jaime "Blue Beetle" Reyes and his non-Spanish-speaking girlfriend at a family gathering where everyone speaks Spanish.

"It would be pointless to have an issue of Flash in Spanish," Nitz says. "It doesn't make sense. But it makes a ton of sense for Blue Beetle."

Jaime is the latest version of the Blue Beetle, a character that's been around since comics' early golden age. His powers come from a mystical scarab. Nitz's story pits Jaime against the Parasite, a classic Superman villain.

Though the Parasite doesn't normally speak Spanish, he gains the ability after draining the memories and abilities of a Spanish-speaking person, Nitz explains. "That's part of his powers."

For those readers who don't know Spanish, the extra-size issue of Blue Beetle No. 26 will include the English script.

Though the special issue is a onetime event, it reflects a broader effort in comics of reaching out to Hispanic readers.

Click here to read the entire article.

Click here to read an interview with writer Jai Nitz about Blue Beetle #26.

In its look back at 2007, the American Library Association named two Blue Beetle collections as "Great Graphic Novels for Teens."